Top Document: UK Goth Mini-FAQ Previous Document: 1. Recent Changes Next Document: 3. How did the term "gothic" come to describe a style of music? See reader questions & answers on this topic! - Help others by sharing your knowledge The original Goths were an ancient Germanic tribe which split into the separate Ostrogoth and Visigoth tribes in the third century. The Visigoths secured their place in history in the year 268, when they invaded the Roman Empire and swarmed over the Balkan peninsula. Post-Roman invasion, the word "Gothic" became used to describe the uncivilised, ignorant or barbarous. The Renaissance humanists of Italy used this negative sense to describe a style of architecture prevalent in Western Europe, which they detested. This resulted in the term becoming synonymous with the dark and ominous, like the architecture itself. Its use expanded to cover the macabre in the 19th century, when it was used to describe writings such as Mary Shelly's "Frankenstein." The term "gothic" became increasing used throughout the 1980s to describe both a style of music and a movement growing out of the ashes of punk rock. By the late 1980s goth had become mainstream, with bands such as All About Eve, The Sisters Of Mercy, The Mission and Fields of the Nephilim -- all labelled as gothic rock by the music press -- finding commercial success. A distinctive and arresting fashion had developed too, with long crimped hair (dyed black), voluminous velvet dresses (black), tight jeans (black) and leather jackets (also black) all forming part of the staple goth look. As the music media lost interest in goth in the early 1990s, it started to shrink from view. However, united by a common love of dark music, a network of fanzines and friendships held the scene together. Goth nights sprung up around the country to play the music more general alternative nights would not. Goth re-established itself as a bona fide underground scene, rapidly finding new fans and exploring different directions in both look and sound. Bands from the 1990s such as Rosetta Stone and Children on Stun explored electronic music to a great degree, whilst still maintaining a distinctive guitar-driven gothic feel. Many goth nights were also havens for industrial rock, which resulted in a certain amount of crossover between the scenes. Bands popular in today's scene include the Cruxshadows, Inkubus Sukkubus, the Last Dance, Manuskript, Screaming Banshee Aircrew and Swarf. Electro-industrial and EBM (Electronic Body Music) projects such as Front Line Assembly, Velvet Acid Christ and VNV Nation are also popular with many, especially the contingent known as "cybergoths". Many cybergoths also enthuse about rhythmic noise; sometimes known as power noise, its sound is typified by projects such as Converter and early Noisex. The scene is alive and active, supported by its own infrastructure of promoters, designers, manufacturers and musicians. Furthermore, goth shows no sign of going away; it has an irrepressible persistence, much its namesake, the ancient Goths. (See <http://www.sfgoth.com/primer/etymology.html> for more on the etymology of the term "gothic.") User Contributions:Top Document: UK Goth Mini-FAQ Previous Document: 1. Recent Changes Next Document: 3. How did the term "gothic" come to describe a style of music? Single Page [ Usenet FAQs | Web FAQs | Documents | RFC Index ] Send corrections/additions to the FAQ Maintainer: Dave H <lorian@darkwave.org.uk>
Last Update March 27 2014 @ 02:12 PM
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