Top Document: [humanities.music.composers.wagner] Wagner General FAQ Previous Document: D. Wasn't Wagner anti-Semitic? Next Document: F. Why didn't Alberich use his ring to escape when he was captured by Wotan and Loge? See reader questions & answers on this topic! - Help others by sharing your knowledge Several explanations have been offered. The simplest explanation is that the leitmotiven are not as closely tied to non-musical ideas as many people have thought; in other words the reason for Wagner using this melody at this point could be purely musical. Other explanations try to find a link between Alberich's renunciation of love, and later appearances of this motif: Fricka's condemnation of Wotan's treatment of Freia, Siegmund's drawing of the sword, Wotan's farewell to Brünnhilde and her refusal to yield the ring. The occurrence in 'Die Walküre' act one has been regarded as problematic, for example by Cooke in his book 'I Saw the World End'. It was suggested that this is an example of dramatic irony: the sword-redemption is an ironic moment, not only because of events in the immediate future, but because for the first time, on a human level, Wagner reveals and celebrates the protagonistic force (love) that will overcome worldly and godly power. Discussion of what this motif might signify usually results in alternative names being suggested for a motif that von Wolzogen called, 'Renunciation'. The names suggested by participants in hmcw have included 'Acceptance of Destiny', and 'Power of Love'. Another suggestion was that since Siegmund's words are "Holiest Love's Deepest Distress", Wagner is attempting to draw our attention not to Siegmund's distress, but rather to the more far reaching distress of love itself, as it is threatened by the loveless machinations of Alberich. Monte Stone, an occasional participant in hmcw, has included commentary on this motif on his 'Ring-disc' (see B above). Stone notes that in one of Wagner's drafts for 'Das Rheingold', he appears to refer to this motif as 'Love-Curse' (Liebesfluch), which is the name used by Darcy in his book about this drama. Stone observes that Alberich goes beyond the renunciation of love -- Alberich curses love itself. Later, "during Siegmund's passionate affirmation of love, we are reminded of the curse under which love labors, and we are given a brief but grim foreshadowing of the fate in store for these lovers". User Contributions:Top Document: [humanities.music.composers.wagner] Wagner General FAQ Previous Document: D. Wasn't Wagner anti-Semitic? Next Document: F. Why didn't Alberich use his ring to escape when he was captured by Wotan and Loge? Single Page [ Usenet FAQs | Web FAQs | Documents | RFC Index ] Send corrections/additions to the FAQ Maintainer: mimirswell@hotmail.com (Derrick Everett)
Last Update March 27 2014 @ 02:11 PM
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