Top Document: Computer Music bibliography Previous Document: Book Announcement: Interactive Music Systems See reader questions & answers on this topic! - Help others by sharing your knowledge Date: Sat, 25 Jul 92 10:42:21 -0400 From: laske@edu.bu.cs (Otto Laske) Dear Colleagues, UMAI, "Understanding Music with AI" has appeared at the AAAI Press, distributed by The MIT Press. Its ISBN is 0-262-52170-9 Ballup. It has a foreword by Marvin Minsky, and comprises 21 chapters on music cognition and cognitive musicology. Otto Laske ------------------------------------------------------------------------------ Machine Models of Music, From Minsky to Mozart, edited by Stephan Schwanauer and David Levitt Cambridge: MIT Press, 1993 ISBN 0-262-19319-1 $45 Machine Models of Music brings together representative models ranging from Mozart's "Musical Dice Game" to a classical article by Marvin Minksy and current research to illustrate the rich impact that artificial intelligence has had on the understanding and composition of traditional music and to demonstrate the ways in which music can push the boundaries of traditional AI research. The authors include prominent figures in linguistics (Johan Sundberg, Ray Jackendoff), computer science and AI (Fred Brooks, Marvin Minsky, Terry Winograd, Herbert Simon, Peter Neumann), music theory (Allen Forte), composition (Fred Lerdahl, Charles Ames), psychoacoustics (Christopher Longuet-Higgins, Jamshed Bharucha), and the odd middle ground of "computer music" (James Moorer, Hiller and Isaacson). ------------------------------------------------------------------------------ ---------------------------------- CD-ROMS ----------------------------------- ------------------------------------------------------------------------------ Computer Music: an Interactive Documentary A new CD-ROM for Macintosh and Windows. Announcing the availability of an exciting new CD-ROM designed for use by introductory college students and in many schools in secondary and middle school courses in music and technology--as well as by home music enthusiasts. Featuring: * Performers * Researchers * Sound Designers * Engineers * Sampling * MIDI * Synthesis * Composition * Recording * Digital Recording & Editing. $49.95. e-mail: nolan@cyberlearn.com ------------------------------------------------------------------------------ --------------------------------- MAGAZINES ---------------------------------- ------------------------------------------------------------------------------ Title: Electronic musician. Publisher: [Oklahoma City, OK : Polyphony Pub. Co., c1985- Subjects: Electronic music--Periodicals. Previous Title: Polyphony 0163-4534 (DLC)sn 78002183 (OCoLC)4380626 ISSN: 0884-4720 Internet: emeditorial@pan.com For subscription requests, magazine contributions, and letters to the editor. ------------------------------------------------------------------------------ Title: Keyboard. Publisher: [Tunbridge Wells, Kent, Music Industry Publications] Subjects: Keyboard instruments--Periodicals. ------------------------------------------------------------------------------ Title: Keyboard. Publisher: [Cupertino, Calif. : GPI Publications], c1981- Publisher: Vol. 7, no. 7 (July 1981)- Previous Title: Contemporary keyboard 0361-5820 (DLC) 76641315 (OCoLC)2246955 ISSN: 0730-0158 ------------------------------------------------------------------------------ Title: Computer music journal IMPR.: Cambridge, MA ISBN: 0148-9267 ------------------------------------------------------------------------------ ------------------------- DIGITAL SIGNAL PROCESSING -------------------------- ------------------------------------------------------------------------------ "Discrete-Time Signal Processing" Allan V. Oppenheim, Ronald W. Schafer Englewood Cliffs, NJ : Prentice Hall, 1989 SERIES: Prentice Hall signal processing series ISBN: 0-13-216771-9 ------------------------------------------------------------------------------ C LANGUAGE ALGORITHMS FOR DIGITAL SIGNAL PROCESSING Paul M. Embree and Bruce Kimble Prentice Hall, Englewood Cliffs, New Jersey, 1990 xvi + 456 pp. + diskette. Price $44.00, 480pp. ISBN 13-133406-9 The book includes introductory chapters into DSP, programming tips for style and efficiency, chapters on filtering, FFT, image processing. All code in the text is included on the diskette (MS-DOS). ------------------------------------------------------------------------------ Introductory Digital Signal Processing with Computer Applications by Paul A. Lynn & Wolfgang Fuerst Publisher: John Wiley & Sons Copyright 1989, latest reprint January 1992 ISBN 0-471-91564-5 ------------------------------------------------------------------------------ First Principles of Discrete Systems and Digital Signal Processing by Robert D. Strum and Donald E. Kirk ISBN: 0-201-09518-1 Addison-Wesley 1988 ------------------------------------------------------------------------------ "PC-DSP" by Oktay Alkin (Prentice-Hall 1990, ISBN 0-13-655200-5). This book is essentially a user's manual for the accompanying software package. Here is an interactive software package for performing common digital signal processing design and analysis calculations quickly and easily. Within PC-DSP's menu-driven environment, you can generate, analyze, and process data without needing to remember command syntax. ------------------------------------------------------------------------------ Title: Digital processing of signals / Bernard Gold and Charles M. Rader, with chapters by Alan V. Oppenheim and Thomas G. Stockham, Jr. Publ: Malabar, Fla. : Krieger, 1983, c1969. Notes: Reprint. Originally published: New York : McGraw-Hill, 1969. (Lincoln Laboratory publications) Subjects: Signal processing--Digital techniques. ISBN: 0-89874-548-9 ------------------------------------------------------------------------------ Title: An introduction to digital signal processing / John H. Karl. Publ: San Diego : Academic Press, c1989. Subjects: Signal processing--Digital techniques. ISBN: 0-12-398420-3 ------------------------------------------------------------------------------ Title: Multirate digital signal processing / Ronald E. Crochiere, Lawrence R. Rabiner. Publ: Englewood Cliffs, N.J. : Prentice-Hall, c1983. Series: Prentice-Hall signal processing series ISBN: 0-13-605162-6 ------------------------------------------------------------------------------ AUTH: MacNally, G. W. Title: Digital audio : recursive digital filtering for high quality audio signals / [by] G. W. McNally IMPR.: [S.l.] : Research Department, Engineering Division, The Brithish Broadcasting Corporation, 1981 * IV, 29 p. ; 30 cm ------------------------------------------------------------------------------ Title: Numerical recipes in C : the art of scientific computing / [by] William H. Press, Brian P. Flannery, Saul A. Teukolsky [and] William T. Vetterling IMPR.: Cambridge [etc.] : Cambridge U.P., 1988 * 2 dl. ; 25 cm ISBN: 0-521-35465-X m * 0-521-35746-2 m ------------------------------------------------------------------------------ Blesser, Barry and J. Kates. "Digital Processing in Audio Signals." In A. V. Oppenheim, ed. Applications of Digital Signal Processing. Englewood Cliffs, NJ: Prentice-Hall, 1978. ------------------------------------------------------------------------------ Digital Signal Processing Committee of IEEE Acoustics, Speech, and Signal Processing Society, ed. Programs for Digital Signal Processing. New York: IEEE Press, 1979. ------------------------------------------------------------------------------ Title: Digital audio engineering : an anthology / John Strawn, editor ; with contributions by James F. McGill ... [et al.]. Publisher: Los Altos, Calif. : W. Kaufmann, c1985. Series: The Computer music and digital audio series, vol 3. Subjects: Sound--Recording and reproducing--Digital techniques. Subjects: Synthesizer (Musical instrument) Contents: An introduction to digital recording and reproduction / J. F. McGill -- Limitations on the dynamic range of digitalized audio / R. Talambiras -- Architectural issues in the design of the systems concepts digital synthesizer / P. Samson -- The FRMbox, a modular digital music synthesizer / F. R. Moore -- The Lucasfilm digital audio facility / J. A. Moorer. ISBN: 0-86576-087-X ------------------------------------------------------------------------------ Title: The Science of Sound 2nd ed. / Thomas D. Rossing Publisher: Addison Wesley 1990 Contents: A book starting with the fundamentals of sound and hearing, contains in depth discussion of the acoustics of the various families of musical instruments plus a chapter about electronic instruments and synthesis. Includes some math but is generally readable on a "popular science" level. ISBN: 0201-15727-6 ------------------------------------------------------------------------------ Title: Digital audio signal processing : an anthology / John Strawn, editor ; with contributions by F. Richard Moore ... [et al.]. Publisher: Los Altos, Calif. : W. Kaufmann, c1985. Series: The Computer music and digital audio series, vol 1. Subjects: Electronic music--Instruction and study. Subjects: Signal processing--Digital techniques. ISBN: 0-86576-082-9 I called the publisher (W. Kaufmann) about _Digital Audio Signal Processing_ and they referred me to A-R Editions, who shipped the book the next day! I had it in my grasp in well under a week, via UPS surface. The shipping charge was $2.50 if I recall correctly. A-R Editions 801 Deming Way Madison, Wisconsin 53717 608-836-9000 (They accept VISA orders) ------------------------------------------------------------------------------ Title: Synthesizer performance and real-time techniques / Jeff Pressing. Publisher: Madison, Wis. : A-R Editions, c1992. Subjects: Synthesizer (Musical instrument) Series: The Computer music and digital audio series ; v. 8 ISBN: 0-89579-257-5 : $49.95 ------------------------------------------------------------------------------ "Interpolation and Decimation of Digital Signals - A Tutorial Review" by Ronald E. Crochiere and Lawrence R. Rabiner. This paper is in Proceedings of the IEEE, Vol. 69, No. 3, 1981, pp. 300-331. ------------------------------------------------------------------------------ ----------------------------------- OTHER ------------------------------------ ------------------------------------------------------------------------------ Computing in Musicology: A Directory of Research ed. Walter B. Hewlett and Eleanor Selfridge-Field Center for Computer Assisted Research in the Humanities 525 Middlefield Road, Suite 120 Menlo Park, CA 94025 (415) 322-7050 XB.L36@stanford.bitnet ------------------------------------------------------------------------------ Tuning In - Microtonality in Electronic Music, Scott R. Wilkinson. 1988. Hal Leonard Books. ISBN 0-88188-633-5. Contents: 1. Music, Mathematics and Microtuning 2. Acoustics and Psychoacoustics 3. The History of Tuning and Temperament 4. Using Tunings 5. Alternate Tunings and Scales 6. Tuning Electronic Instruments Foreword by Wendy Carlos. Bibliography, discography, etc. Includes details on tuning such instruments as DX7, EPS, etc. Hal Leonard Books 8112 W. Bluemound Road Milwaukee, WI 53213 $14.95 120 pgs., illustrated ------------------------------------------------------------------------------ The Well-Tempered Object Musical Applications of Object-Oriented Software Technology A Structured Anthology on Software Science and Systems based on Articles from Computer Music Journal 1980-89 Compiled and edited by Stephen Travis Pope Published by MIT Press, 1991 The Well-Tempered Object is based on a collection of articles that appeared in Computer Music Journal over the space of ten years relating to the application of object-oriented (OO) software technology--the most important new software engineering technology of the 1980s--to various musical applications. It consists of articles from Computer Music Journal 4(4), 8(5), 10(4) and 13(2) along with new chapters and updates to the original texts as addenda. The authors describe the application of OO technology to a wide range of areas of computer music and digital audio signal processing including music representation and composition, real- time performance, and digital signal processing (DSP). A number of popular OO programming languages are represented, including Lisp, Smalltalk-80, and ObjectiveC. Keywords/Topics Music software, object-oriented programming, object-oriented software design, music representation, composition and performance, graphical user interfaces, DSP programming, single and multiple inheritance, Actors, OO user interface systems. Flavors Band, FORMES, Kyma, Platypus, SoundKit, MusicKit, MODE, HyperScore ToolKit, CreationStation, Javelina, VDSP, TTrees, Nutation. NeXT, Macintosh, Sun SPARCstation, LISP, Smalltalk-76 & -80, ObjectiveC, ACT-1, and DSP languages. Language and methodology introductions, tool and application reports, extensive bibliographies, tutorials on OO programming and OO design. Outline Introduction Part 1--OO Machine Tongues Part 2--Languages and Systems Part 3--OO DSP Tools and Systems Author Contact Addresses Table of Contents Introduction--Stephen Travis Pope Part 1: Tutorials and Technology Machine Tongues VIII: The Design of a Smalltalk Music System-- Glenn Krasner Machine Tongues IX: Object-Oriented Programming--Henry Lieberman Machine Tongues XI: Object-Oriented Software Design--Stephen Travis Pope Part 2: Music Representation and Processing Tools Flavors Band: A Language for Specifying Musical Style--C. Fry FORMES: Composition and Scheduling of Processes--Xavier Rodet and Pierre Cointe Introduction to MODE: The Musical Object Development Environment-- Stephen Travis Pope An Overview of the Sound and Music Kits for the NeXT Computer-- David Jaffe and Lee Boynton Addendum: Sound and Music Kits Version 1.0 Part 3: Composition Systems The Kyma/Platypus Computer Music Workstation--Carla Scaletti Addendum: A Kyma Update An Introduction to the Creation Station--Henry Flurry Addendum: An Update on the Creation Station TTrees: A Tool for the Compositional Environment--Glendon Diener Addendum: A Hierarchical Approach to Music Notation Part 4: Signal Processing Systems Javelina: An Environment for Digital Signal Processor Software Development--Kurt J. Hebel Addendum: Filter Design and Optimization Examples Virtual Digital Signal Processing in an Object-Oriented System-- David K. Mellinger, G. E. Garnett and Bernard Mont-Reynaud Addresses of Authors Details Compiled and Edited by Stephen Travis Pope (Editor of Computer Music Journal) ISBN 0-262-16126-5, 200 pages, hardcover, US$ 30.00 Available from: MIT Press, 55 Hayward St., Cambridge, Massachusetts 02142 USA Call (617) 625-8569 to order ------------------------------------------------------------------------------ TITLE: The language of electroacoustic music / ed. by Simon Emmerson IMPRINT: Basingstoke [etc.] : MacMillan Press, 1986 * VIII, 231 p. ; 24 cm NAMES: Emmerson, Simon ISBN: 0-333-39759-2 m * 0-333-39760-6 v p ------------------------------------------------------------------------------ Title: Composers and the computer / Curtis Roads, editor. Publisher: Los Altos, Calif. : W. Kaufmann, c1985. Series: The Computer music and digital audio series Subjects: Computer music--History and criticism. Subjects: Computer composition. ISBN: 0-86576-085-3 ------------------------------------------------------------------------------ Title: Principles of digital audio / Ken C. Pohlmann. Publisher: Indianapolis, Ind., USA : H.W. Sams, 1989. Series: Howard W. Sams & Company audio library Subjects: sampling, quantizing, CD-I, DAT. ISBN: 0-672-22634-0 : $29.95, 474pp. ------------------------------------------------------------------------------ Title: Advanced digital audio / Ken Pohlmann, editor-in-chief. Publisher: Carmel, Ind., USA : Howard W. SAMS, c1991. Subjects: Sound--Recording and reproducing--Digital techniques, DSP, HDTV. ISBN: 0-672-22768-1, 500pp. ------------------------------------------------------------------------------ Title: Handbook for Sound Engineers, The New Audio Encyclopedia / Glen M. Ballou, editor-in-chief Publisher: Carmel, Ind., USA : Howard W. SAMS, c1991. Subjects: MIDI, sound, compact disks, sound system design ISBN: 0-672-22752-2, 1500pp. ------------------------------------------------------------------------------ Title: Modern Recording Techniques, 3rd ed. / D. M. Huber & R. A. Runstein Publisher: Carmel, Ind., USA : Howard W. SAMS, Subjects: digital audio, recording ISBN: 0-672-22682-0, 400pp. ------------------------------------------------------------------------------ Title: Sound recording Handbook / John W. Woram Publisher: Carmel, Ind., USA : Howard W. SAMS, Subjects: sound effects, noise reduction, SMPTE ISBN: 0-672-22583-2, 600pp. ------------------------------------------------------------------------------ Title: The compact disc : a handbook of theory and use / Ken C. Pohlmann. Series: The Computer music and digital audio series ; v. 5 Subjects: Compact discs. ISBN: 0-89579-228-1 $29.95 (paper) ISBN: 0-89579-234-6 $45.95 (cloth) 288 pages ------------------------------------------------------------------------------ Dexter Morrill and Rick Taube, _A Little Book of Computer Music Instruments_ ------------------------------------------------------------------------------ Title: Introduction to computer music / Wayne Bateman. Publisher: New York : J. Wiley, c1980. Subjects: Computer music--Instruction and study. Subjects: Computer composition. ISBN: 0-471-05266-3 : $20.00 (est.) ------------------------------------------------------------------------------ MUSIC, SOUND and TECHNOLOGY, by John M. Eargle. (A mini-review) is published by Van Nostrand Reinhold, New York, copyright 1990. Its Library of Congress number is ML3805.E2 1990. This little book turned up on the New Titles shelf in the Physics and Planetary Science Library at Pitt recently, and I've just finished going through it. It was a worthwhile enough bit of reading matter that I thought I'd bring it to the List's attention. This ain't no formal book review, but then again you all probably knew that already, knowing me, right? MS&T is a fairly technical treatment of the acoustics of musical instruments, almost exlcusively focussing on acoustic instruments that are featured in the modern orchestral format (hence including a lot of unusual jazz instruments and percussion devices). It has fairly little math in it, and requires little or no math background to read, but it does not skimp on the ideas it brings across-- a novice who knew something about music, having read this book carefully, would come away with a better understanding of music and acoustics than many professional sound engineers probably have. (Based on my own experiences in the field, that is.) The style is a trifle dry, but is never so technical as to be unreadable. Examples from the public domain are liberally sprinkled throughout the book, and every chapter ends with a small bibliography and reference list, often including phonorecords. The book begins with a brief review of the physical principles underlying the creation of sound: waves, sound pressure, units like the decibel, and so on. Virtually all of the math in the book is contained here, and it's on the high-school level, not too daunting. Some of the stuff is quite simple (masses on springs, pendula), but the reader suddenly finds himself absorbing stuff like "Relations between Direct and Reverberant Fields" --and understanding it clearly! The organization is clear, and every concept is prefaced with an explanation of why and where it's important. The next two chapters complete what Eargle considers the introductory part of the book; one is on the physiology of hearing and psychoacoustics, ranging from the localization of sound by the ears and head to the cultural biases inherent in judging what constitutes "consonance" and "dissonance," and the other is a brief but relatively well-thought-out review of temperament and tuning scales. Chapters 4 through 9 are explanations of the physics of the usual sorts of sound generators one would find in orchestral of jazz music, and comparative studies of their pitch and loudness ranges, harmonic structure, and expressive characteristics in relation to the player's abilities. Strings, woodwinds, brasses, and percussion devices are given their own chapters, and keyboards are lumped together in one chapter, despite their differences in sound creation (which Eargle acknowledges but views as less important than their similarities). There are all sorts of little gems here-- how to change the speaking length of a trumpet, what happens to the frequency response of a piano when you close the lid, how a vibraphone differs from a marimba, etc. These chapters alone make the book worth a look. Chapter 10 explains the philosophy behind the physical organization of musical ensembles. Why the first and second violins are sometimes seated together on the left, other times separated, and so on. Chapter 11 is a long and occasionally quite technical discussion of performance space design, and of the engineering of suitable halls for speech, music, and worship (there's a big section on church design). Chapters 12 and 13 discuss the principles of sound reinforcement and sound recording, with diagrams of speaker placements and microphone patterns abounding; this is getting into the sort of stuff that we tend to deal with regularly in EMUSIC-L, and we may have seen it elsewhere, but at this point we're used to Eargle's delivery and it's more clear than the usual drek in Home and Studio Recording. Some of the discussion is quite fascinating (is it better to be shamefully accurate or to correct for acoustic weaknesses when recording a symphony?), and the material is quite modern in its presentation: Eargle notes "with nostalgia" the passing of the vinyl LP from the scene. Overdubbing, Digital recording, and signal processing are touched on in a straightforward manner, from quad sound systems to delay and digital reverb. Chapter 14 is a primer on home audio, with explanations of the LP, cassette, and CD as playback media and commentary on speaker systems. Chapter 15 is what you've all been waiting for, the "Overview of Music Synthesis." It covers the acoustics of transients, steady-state conditions, and tonal decay, ensemble considerations, working in the frequency vs. the time domain, and mentions modern developments such as sampling and MIDI. The entire section is only eight pages long, half of which are figures, but for the acoustic musician who's unfamiliar with and a bit scared of synthesizers it's a very easily digestible introduction. The acoustic musician sighs with relief and says, "So THAT'S all there is to it!" (Of course, it isn't, but it serves to keep the musician's mind open and unafraid of future learning.) The author seems to regard these instruments with some degree of wide-eyed wonder, and perhaps some nervous condescention as well, but he never fails to recognize them as instruments in their own right, deserving of attention beside the violins and piccolos. His only classicist comment, which is probably forgivable under the circumstances, is that "Electronically generated sounds do not necessarily have to imitate those of traditional instruments, but the sounds do have to fit into musical contexts." (We'll shelve arguments on that point for other posts, ok?) The last chapter is a brief touch upon active noise reduction principles and techniques, and probably should have been placed between chapters 13 and 14, but at least it's there, if only for six pages. The book weighs in at 290 pages with a reasonably thorough index, and is published by Van Nostrand Reinhold, New York, copyright 1990. Its Library of Congress number is ML3805.E2 1990. I consider it a refreshing change from the constant jabber about whether the Amiga can beat the Mac in the MIDI world or what goes into Differential Loop Modulation in the D-70. It's clear, readable, and has a lot of worthwhile data that can be put to good use by a clever musician, electronic or otherwise. Metlay says, check it out. metlay metlay@pittvms.BITNET metlay@vms.cis.pitt.EDU ------------------------------------------------------------------------------ The July 1991 issue of _Computer_, (Vol 24, #7, ISSN 0018-9162), published by the IEEE Computer Society, has the title "Computer Generated Music", and a whole bunch of neat articles. Titles of articles, are followed by Authors, then a description. (taken from the table of contents) _Guest Editor's Introduction: Computer Generated Music_ Denis L. Baggi _Formula: A Programming Language for Expressive Computer Music_ David P. Anderson and Ron Kuivila Formula, a language for controlling synthesizers, can model the expressiveness of a human performance. It supports algorithmic composition, interactive performance, and programmed interpretation of traditional scores. _Recombinant Music: Using the Computer to Explore Musical Style_ David Cope A Computer program that creates new but stylistically recognizable music from existing works offers insights into the elusive phenomenon of musical style. _Toward an Expert System for Expressive Musical Performance_ Margaret L. Johnson An expert system processes the melodies of Bach fugues using a model that recognizes rhythmic patterns. It outputs instructions that tell performers how to articulate the melodies. _Fugue: A Functional Language for Sound Synthesis_ Roger B. Dannenberg, Christopher Lee Fraley, and Peter Velikonja Fugue provides functions to create and manipulate sounds as abstract, immutable objects. The interactive language supports behavioral abstraction, so composers can manage complex musical structures. _A Computer Music System that Follows a Human Conductor_ Hideyuki Morita, Shuji Hashimoto, and Sadamu Ohteru An electronic orchestra with a complex performance database and MIDI controllers responds to the gestures of a conductor through a CCD camera and a sensor glove. _Project Overviews: Current Research in Computer Generated Music_ Stephen W. Smoliar, Goffredo Haus, Alberto Sametti, Denis L. Baggi, Antonio Camurri, Corrado Canepa, Marcello Frixione, Renato Zaccaria, Yap Siong Chua, and Robert Keefe Six overviews reflect varied ongoing research. Reporting from such diverse locales as Singapore, Europe, and the US, the authors explore the spheres of computer-aided composition, synthesis of musical scores, computer simulation, and composing by musical analog. The six overviews look more interesting than the description. Of course, all of the above articles have references, so you can go look up more information. _Standards_ Standard Music Description Language Also, Coming Fall 1991: _Readings in Computer-Generated Music_ edited by Denis Baggi This new tutorial is a collection of 11 important articles, reprinted from the July 1991 special issue of _Computer_ on computer- generated music, plus a number of important articles omitted due to space limitations. These papers include all the articles from this issue either in their entirety or in an expanded version. A companion CD and audiocassette will also be available for sale. 250 pages, November. 1991, hardbound, catalog No. 2367 ------------------------------------------------------------------------------ Title: The Byte book of computer music / edited by Christopher P. Morgan. Publisher: Peterborough, N.H. : Byte Books, c1979. Subjects: Computer music--Instruction and study. Computer composition. ISBN: 0-931718-11-2 ------------------------------------------------------------------------------ Title: Electronic music / Andy Mackay. Publisher: Minneapolis, Minn. : Control Data Publishing, 1981. Series Name: The Covent Garden music guides ; No. 2 Subjects: Musical instruments, Electronic. Electronic music--History and criticism. ISBN: 0-89893-504-0 : $19.95 ISBN: 0-89893-302-1 (pbk.) : $10.95 ------------------------------------------------------------------------------ Title: Electronic music : systems, techniques, and controls / Allen Strange ; forward by Gordon Mumma. Publisher: Dubuque, Iowa : W.C. Brown Co., c1983. Subjects: Electronic music--Instruction and study. Electronic composition. ISBN: 0-697-03602-2 (pbk.) ------------------------------------------------------------------------------ Title: Electronic music dictionary : a glossary of the specialized terms relating to the music and sound technology of today / by Bo Tomlyn & Steve Leonard. Publisher: Milwaukee, WI, U.S.A. : H. Leonard Books, c1988. Subjects: Electronic music--Dictionaries. ISBN: 0-88188-904-0 : $5.95 ------------------------------------------------------------------------------ Title: The electronic music dictionary / by W.D. Coakley. Publisher: Lantana, Fla. (315 North Lake Drive, Suite 16, Lantana, Florida 33462) : W.D. Coakley, c1988. Subjects: Electronic music--Dictionaries. ------------------------------------------------------------------------------ Title: A Dictionary of electronic and computer music technology : instruments, terms, techniques / Richard Dobson. Publisher: Oxford University Press, 1992 Subjects: Electronic music --Dictionaries. Computer music --Dictionaries. ISBN: 0193113449 ------------------------------------------------------------------------------ Title: Dictionary of musical technology / Tristram Cary. Publisher: Greenwood Press, New York 1992. Subjects: Electronic music --Dictionaries. Computer music --Dictionaries. ISBN: 0313286949 (alk. paper) ------------------------------------------------------------------------------ Title: Electronic music production / by Alan Douglas. Publisher: Blue Ridge Summit, Pa. : Tab Books, c1982. Subjects: Musical instruments, Electronic. Electronic music--History and criticism. ISBN: 0-8306-1418-4 (pbk.) : $7.95 ------------------------------------------------------------------------------ Title: The electronic musician's dictionary / Craig Anderton. Publisher: New York : Amsco Publications : Exclusive distributors Music Sales Corp., c1988. Subjects: Electronic music--Dictionaries. ISBN: 0-8256-1125-3 ------------------------------------------------------------------------------ Title: Multi-track recording / edited by Dominic Milano from the pages of Keyboard magazine. Publisher: Milwaukee, WI : H. Leonard Books, c1988. Series: The Keyboard magazine basic library (Keyboard synthesizer library) Subjects: Sound--Recording and reproducing. ISBN: 0-88188-552-5 (pbk.) : $12.95 ------------------------------------------------------------------------------ Title: Electronic music reports / Institute of Sonology at Utrecht University IMPR.: Utrecht University ------------------------------------------------------------------------------ Title: Electronic music synthesis; concepts, facilities, techniques [by] Hubert S. Howe, Jr. Publisher: New York, W. W. Norton [1975] Subjects: Electronic music--Instruction and study. Subjects: Music--Acoustics and physics. Subjects: Musical instruments, Electronic. Subjects: Computer composition. ISBN: 0-393-09257-3 ------------------------------------------------------------------------------ Title: Electronic music : a listener's guide / Elliott Schwartz Publisher: New York : Da Capo Press, 1989, c1975. Series: Da Capo Press music reprint series Subjects: Electronic music--History and criticism. ISBN: 0-306-76260-9 : $29.50 ================================= END ==================================== Piet van Oostrum, Dept of Computer Science, Utrecht University Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 2531806 Fax: +31 30 2513791 Email: piet@cs.ruu.nl <A HREF="http://www.cs.ruu.nl/~piet/">my WWW home page</A> -- Piet van Oostrum <piet@cs.ruu.nl> URL: http://www.cs.ruu.nl/~piet [PGP] User Contributions:Top Document: Computer Music bibliography Previous Document: Book Announcement: Interactive Music Systems Single Page [ Usenet FAQs | Web FAQs | Documents | RFC Index ] Send corrections/additions to the FAQ Maintainer: piet@cs.ruu.nl (Piet van Oostrum)
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